|
| | | Prev Artist Next Artist
|
|
Correggio
Italian 1489-1534
Correggio Locations
Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
|
|
|
|
|
| Click Image to Enlarge |
The Madonna of the Basket
mk170
circa 1525
Oil on wood
33.7x25.1cm
Painting ID:: 43013
|
|
|
The_Madonna_of_the_Basket
mk170
circa 1525
Oil on wood
33.7x25.1cm
|
|
|
|
| Click Image to Enlarge |
Ecce Homo
mk170
1525-1527
Oil on poplar
99.7x80cm
Painting ID:: 43014
|
|
|
Ecce_Homo
mk170
1525-1527
Oil on poplar
99.7x80cm
|
|
|
|
| Click Image to Enlarge |
Venus with Mercury and Cupid
mk170
1523-1525
Oil on canvas
155.6x91.4cm
Painting ID:: 43015
|
|
|
Venus_with_Mercury_and_Cupid
mk170
1523-1525
Oil on canvas
155.6x91.4cm
|
|
|
|
| Click Image to Enlarge |
Madonna with St. Francis
1514
Oil on wood,
299 x 245 cm
Painting ID:: 44302
|
|
|
Madonna_with_St._Francis
1514
Oil on wood,
299 x 245 cm
|
|
|
|
| Click Image to Enlarge |
Jupiter and Io
mk176
early 1530s
Oil on canvas
64x28
Painting ID:: 44898
|
|
|
Jupiter_and_Io
mk176
early 1530s
Oil on canvas
64x28
|
|
|
| Prev Artist Next Artist
|
|
Correggio
Italian 1489-1534
Correggio Locations
Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
|
|
