Oil Painting Artist::. Anthony Van Dyck

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck george hayter aofed oil painting artist
 Click Image to Enlarge
george hayter aofed
mk265 comte d orsay 1839 london national portait galler

     Painting ID::  58958
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  george_hayter_aofed
mk265 comte d orsay 1839 london national portait galler

Anthony Van Dyck sir thomas lawrence oil painting artist
 Click Image to Enlarge
sir thomas lawrence
mk265 airhur atterley 1790-1791 los angeles county museum of art

     Painting ID::  58959
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  sir_thomas_lawrence
mk265 airhur atterley 1790-1791 los angeles county museum of art

Anthony Van Dyck alfred de dreux oil painting artist
 Click Image to Enlarge
alfred de dreux
mk265 comte alfred de montgomery, c. 1850-1875 paris musee du louvre

     Painting ID::  58960
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  alfred_de_dreux
mk265 comte alfred de montgomery, c. 1850-1875 paris musee du louvre

Anthony Van Dyck jean auguste dominiqur ingres oil painting artist
 Click Image to Enlarge
jean auguste dominiqur ingres
mk265 count nikolai dmtrievich guriev 1821 st peterirg state hermitar m

     Painting ID::  58961
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  jean_auguste_dominiqur_ingres
mk265 count nikolai dmtrievich guriev 1821 st peterirg state hermitar m

Anthony Van Dyck jean auguste dominique lngres oil painting artist
 Click Image to Enlarge
jean auguste dominique lngres
mk265 portrait of ferdinand philippe de bourbon orleans duc dorleans 1842 paris musee du louvre.

     Painting ID::  58962
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  jean_auguste_dominique_lngres
mk265 portrait of ferdinand philippe de bourbon orleans duc dorleans 1842 paris musee du louvre.

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     Anthony_Van_Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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