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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Evening
c. 1824
Oil on cardboard,
20 x 27,5 cm
Painting ID:: 44173
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Evening
c. 1824
Oil on cardboard,
20 x 27,5 cm
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Rocky Reef on the Sea Shore
c. 1824
Oil on canvas,
22 x 31 cm
Painting ID:: 44174
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Rocky_Reef_on_the_Sea_Shore
c. 1824
Oil on canvas,
22 x 31 cm
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The Cemetery Entrance
1825
Oil on canvas,
143 x 110 cm
Painting ID:: 44178
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The_Cemetery_Entrance
1825
Oil on canvas,
143 x 110 cm
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Graveyard under Snow
1826
Oil on canvas,
31 x 25 cm
Painting ID:: 44179
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Graveyard_under_Snow
1826
Oil on canvas,
31 x 25 cm
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Zwei Manner in Betrachtung des Mondes
mk181
1819
Dresden
Staatliche Kunstsammlungen
Gemaldegalerie
Painting ID:: 45198
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Zwei_Manner__in_Betrachtung_des_Mondes
mk181
1819
Dresden
Staatliche Kunstsammlungen
Gemaldegalerie
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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