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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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The Virgin Receiving the Message
1306 Fresco, 150 x 195 cm
Painting ID:: 52379
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The_Virgin_Receiving_the_Message
1306 Fresco, 150 x 195 cm
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Last Judgment
1306 Fresco, 1000 x 840 cm
Painting ID:: 52380
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Last_Judgment
1306 Fresco, 1000 x 840 cm
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Decorative band with figures
1304-06 Fresco Cappella Scrovegni
Painting ID:: 52381
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Decorative_band_with_figures
1304-06 Fresco Cappella Scrovegni
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Decorative band with figures
1304-06 Fresco Cappella Scrovegni
Painting ID:: 52382
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Decorative_band_with_figures
1304-06 Fresco Cappella Scrovegni
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Decorative band with figure
1304-06 Fresco Cappella Scrovegni
Painting ID:: 52383
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Decorative_band_with_figure
1304-06 Fresco Cappella Scrovegni
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GIOTTO_di_Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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