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Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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Las Meninas (mk01)
1656
Oil on canvas;
318x276cm
125 1/4x108in
Museo del Prado
Madrid
Painting ID:: 20221
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Las_Meninas_(mk01)
1656
Oil on canvas;
318x276cm
125 1/4x108in
Museo del Prado
Madrid
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The Family of Sir Balthasar Gerbier (mk01)
1629-30
Oil on canvas,
166x178cm
653/8x 70 1/8in
National
Gallery of Art,
Washington
DC.
Painting ID:: 20226
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The_Family_of_Sir_Balthasar_Gerbier_(mk01)
1629-30
Oil on canvas,
166x178cm
653/8x 70 1/8in
National
Gallery of Art,
Washington
DC.
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Thomas Howard,Earl of Arundel (mk01)
1629-30
Oil on canvas;
122x102cm
48x40 1/8in
Isabella Stewart Gardner
Museum,Boston
Painting ID:: 20228
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Thomas_Howard,Earl_of_Arundel_(mk01)
1629-30
Oil on canvas;
122x102cm
48x40 1/8in
Isabella Stewart Gardner
Museum,Boston
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The Apotheosis of Fames I and Other Studies (mk01)
C.1630
Oil on panel;
95x63.1cm
37 3/8x24 7/8in
National
Gallery,
London
Painting ID:: 20229
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The_Apotheosis_of_Fames_I_and_Other_Studies_(mk01)
C.1630
Oil on panel;
95x63.1cm
37 3/8x24 7/8in
National
Gallery,
London
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Landscape with St George and the Dragon (mk01)
1629--30
Oil on canvas;
153x226cm
60 3/4x89in
Royal
Collection,Windsor Castle
Painting ID:: 20230
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Landscape_with_St_George_and_the_Dragon_(mk01)
1629--30
Oil on canvas;
153x226cm
60 3/4x89in
Royal
Collection,Windsor Castle
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Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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