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Francisco Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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La Leocadia
mk132
1820-23
Oil on plaster transferred to canvas
147x132cm
Painting ID:: 38310
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La_Leocadia
mk132
1820-23
Oil on plaster transferred to canvas
147x132cm
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The Dog
mk132
1820-23
Oil on plaster transferred to canvas
131.5x79.3cm
Museo del Prado
Madrid
Painting ID:: 38311
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The_Dog
mk132
1820-23
Oil on plaster transferred to canvas
131.5x79.3cm
Museo del Prado
Madrid
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Cudgel Fight
mk132
1820-23
Oil on plaster transferred to canvas
125.1x261cm
Painting ID:: 38312
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Cudgel_Fight
mk132
1820-23
Oil on plaster transferred to canvas
125.1x261cm
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Fantastic Vision or Asmodea
mk132
1820-23
Oil on plaster transferred to canvas
127x263cm
Museo del Prado
Madrid
Painting ID:: 38313
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Fantastic_Vision_or_Asmodea
mk132
1820-23
Oil on plaster transferred to canvas
127x263cm
Museo del Prado
Madrid
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Eugene Delacrois after Capricho 8,Que se la llevaron
mk132
pen and ink,brown wash and pencil
10.7x17.5cm
Painting ID:: 38314
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Eugene_Delacrois_after_Capricho_8,Que_se_la_llevaron
mk132
pen and ink,brown wash and pencil
10.7x17.5cm
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Francisco_Goya
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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