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Frederic E.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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Mount Katahdin from Millinocket Camp
mk48
1895
Oil on canvas
26 1/2x42 1/4in
Portland Museum of Ar,Maine.
Painting ID:: 26265
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Mount_Katahdin_from_Millinocket_Camp
mk48
1895
Oil on canvas
26 1/2x42 1/4in
Portland Museum of Ar,Maine.
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The Arch of Titus
mk48
1871
George P.A.Healy,Frederic E.Church,jerivs McEntee
Oil on canvas
74x49in
Painting ID:: 26267
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The_Arch_of_Titus
mk48
1871
George P.A.Healy,Frederic E.Church,jerivs McEntee
Oil on canvas
74x49in
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White Mountain Scenery,Franconia Notch,New Hampshire
mk48
1857
Oil on canvas
48 1/4x72 1/2in
Painting ID:: 26268
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White_Mountain_Scenery,Franconia_Notch,New_Hampshire
mk48
1857
Oil on canvas
48 1/4x72 1/2in
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Grand Manan Island,Bay of Fundy
mk48
1852
Oil on canvas
21 13/16x31 15/16in
Wadsworth Atheneum Museum of Art,Hartford,Connecticut,The Gallery Fund
Painting ID:: 26269
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Grand_Manan_Island,Bay_of_Fundy
mk48
1852
Oil on canvas
21 13/16x31 15/16in
Wadsworth Atheneum Museum of Art,Hartford,Connecticut,The Gallery Fund
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Study for The Icebergs
mk48
ca.1859
Brush and oil aint on tan paperboard
6 7/16x10 3/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
Painting ID:: 26270
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Study_for_The_Icebergs
mk48
ca.1859
Brush and oil aint on tan paperboard
6 7/16x10 3/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
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Frederic_E.Church
1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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