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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Two Men Looking at the Moon
mk156
1819
Oil on canvas
35x44cm
Painting ID:: 40658
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Two_Men_Looking_at_the_Moon
mk156
1819
Oil on canvas
35x44cm
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Te Sea of Ice
mk156
1823-1824
Oil on canvas
96.7x126.9cm
Painting ID:: 40667
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Te_Sea_of_Ice
mk156
1823-1824
Oil on canvas
96.7x126.9cm
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Moonrise over the sea
mk159
1821
Oil on canvsas
135x170cm
Painting ID:: 41070
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Moonrise_over_the_sea
mk159
1821
Oil on canvsas
135x170cm
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The Sailboat
mk159
c.1818-20
Oil on canvas
71x56cm
Painting ID:: 41071
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The_Sailboat
mk159
c.1818-20
Oil on canvas
71x56cm
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The walker above the mists
MK169
ca.1817-18 oil Paint on cloth 74.8x94.8cm
Painting ID:: 42739
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The_walker_above_the_mists
MK169
ca.1817-18 oil Paint on cloth 74.8x94.8cm
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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