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Diego Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Philip II as an old Man (df01)
c 1590
El Escorial,Patrimonio Nacional,Monasterio de San Lorenzo
Painting ID:: 22544
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Philip_II_as_an_old_Man_(df01)
c 1590
El Escorial,Patrimonio Nacional,Monasterio de San Lorenzo
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Prince Baltasar Carlos with a Dwarf (df01)
1631
Painting ID:: 22545
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Prince_Baltasar_Carlos_with_a_Dwarf_(df01)
1631
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Queen Isabel on Horseback (detail) (df01)
1634-1635
Painting ID:: 22546
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Queen_Isabel_on_Horseback_(detail)_(df01)
1634-1635
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Philip IV on Horseback (df01)
1534-1635
Painting ID:: 22547
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Philip_IV_on_Horseback_(df01)
1534-1635
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The Surrender of Breda (Las Lanzas) (df01)
1634-1635
Painting ID:: 22548
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The_Surrender_of_Breda_(Las_Lanzas)_(df01)
1634-1635
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Diego_Velazquez
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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