Oil Painting Artist::. Albrecht Altdorfer

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     Albrecht Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

Albrecht Altdorfer Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe oil painting artist
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Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe
1531 Medium Oil on wood cyf

     Painting ID::  82057
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Deutsch:_Der_Hoffart_sitzt_der_Bettel_auf_der_Schleppe
1531 Medium Oil on wood cyf

Albrecht Altdorfer Augustiner oil painting artist
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Augustiner
English: c. 1509-1516 Medium Oil on wood cyf

     Painting ID::  82394
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Augustiner
English: c. 1509-1516 Medium Oil on wood cyf

Albrecht Altdorfer Kreuzigung Christi oil painting artist
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Kreuzigung Christi
1526(1526) Medium Oil on wood Dimensions 28,7 x 20,8 cm cyf

     Painting ID::  82439
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Kreuzigung_Christi
1526(1526) Medium Oil on wood Dimensions 28,7 x 20,8 cm cyf

Albrecht Altdorfer The Entombment oil painting artist
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The Entombment
1516(1516) Medium Oil on wood cyf

     Painting ID::  82481
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Entombment
1516(1516) Medium Oil on wood cyf

Albrecht Altdorfer The Flagellation of Christ oil painting artist
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The Flagellation of Christ
1518(1518) Medium Oil on wood cyf

     Painting ID::  82497
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Flagellation_of_Christ
1518(1518) Medium Oil on wood cyf

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     Albrecht_Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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