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Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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The Virgin (mk20)
1913
Die Jungfrau
Oil on canvas,190 x 200 Narodni Gallery,Prague
Painting ID:: 22487
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The_Virgin_(mk20)
1913
Die Jungfrau
Oil on canvas,190 x 200 Narodni Gallery,Prague
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Portrait of Margaret Stonborough-Wittgenstein (mk20)
1905
Bildnis Margaret Stonborough-Wittgenstein
Oil on canvas,180 x 90
Bavarian State Collection of Paintings Neue Pinakothek,Munich
Painting ID:: 22488
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Portrait_of_Margaret_Stonborough-Wittgenstein_(mk20)
1905
Bildnis Margaret Stonborough-Wittgenstein
Oil on canvas,180 x 90
Bavarian State Collection of Paintings Neue Pinakothek,Munich
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Portrait of Adele Bloch-Bauer I (mk20)
1907
Bildnis Adele Bloch-Bauer I
Oil and gold on canvas,138 x 138 cm
Austrian Gallery,Vienna
Painting ID:: 22489
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Portrait_of_Adele_Bloch-Bauer_I_(mk20)
1907
Bildnis Adele Bloch-Bauer I
Oil and gold on canvas,138 x 138 cm
Austrian Gallery,Vienna
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Pattern for the Stoclet Frieze (mk20)
around 1905/06
End wall
Austrian Museum of Applied Art,Vienna
Painting ID:: 22490
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Pattern_for_the_Stoclet_Frieze_(mk20)
around 1905/06
End wall
Austrian Museum of Applied Art,Vienna
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Expectation,Pattern for the Stoclet Frieze (mk20)
around 1905/09
Die Erwartung
Austrian Museum of Applied Art,Vienna
Painting ID:: 22491
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Expectation,Pattern_for_the_Stoclet_Frieze_(mk20)
around 1905/09
Die Erwartung
Austrian Museum of Applied Art,Vienna
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Gustav_Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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