Oil Painting Artist::. Michael Ancher

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     Michael Ancher
    Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),

Michael Ancher Self-portrait oil painting artist
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Self-portrait
Date 1902(1902) Medium Oil on canvas Dimensions 110x88 cm cjr

     Painting ID::  84755
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait
Date 1902(1902) Medium Oil on canvas Dimensions 110x88 cm cjr

Michael Ancher In the grocery store on a winter day when there is no fishing oil painting artist
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In the grocery store on a winter day when there is no fishing
1891(1891) Medium Oil on canvas Dimensions 115 x 165.1 cm cyf

     Painting ID::  86022
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  In_the_grocery_store_on_a_winter_day_when_there_is_no_fishing
1891(1891) Medium Oil on canvas Dimensions 115 x 165.1 cm cyf

Michael Ancher Pigen med solsikkerne oil painting artist
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Pigen med solsikkerne
1889(1889) Medium Oil on canvas Dimensions 101 x 95 cm cyf

     Painting ID::  87280
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pigen_med_solsikkerne
1889(1889) Medium Oil on canvas Dimensions 101 x 95 cm cyf

Michael Ancher Anna Ancher reading oil painting artist
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Anna Ancher reading
1881(1881) Medium Oil on cardboard Dimensions 45.5 x 37.5 cm cyf

     Painting ID::  87523
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Anna_Ancher_reading
1881(1881) Medium Oil on cardboard Dimensions 45.5 x 37.5 cm cyf

Michael Ancher Fishermen by the Sea on a Summer's Evening oil painting artist
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Fishermen by the Sea on a Summer's Evening
1888(1888) Medium Oil on canvas Dimensions 141 x 188.5 cm cyf

     Painting ID::  87526
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Fishermen_by_the_Sea_on_a_Summer's_Evening
1888(1888) Medium Oil on canvas Dimensions 141 x 188.5 cm cyf

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     Michael_Ancher
    Danish Painter, 1849-1927 He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),

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