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Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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Moat Mountain Intervale New Hampshire
c1862
19.02 x 25.87 ins / 48.3 x 65.7 cm
The Currier Gallery of Art, Manchester, New Hampshire, USA
Painting ID:: 2542
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Moat_Mountain_Intervale_New_Hampshire
c1862
19.02 x 25.87 ins / 48.3 x 65.7 cm
The Currier Gallery of Art, Manchester, New Hampshire, USA
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Gosnold at Cuttyhunk
1858
30.24 x 50.63 ins / 76.8 x 128.6 cm
The Whaling Museum, New Bedford, Massachusetts, USA
Painting ID:: 2543
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Gosnold_at_Cuttyhunk
1858
30.24 x 50.63 ins / 76.8 x 128.6 cm
The Whaling Museum, New Bedford, Massachusetts, USA
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The Last of the Buffalo
1888
71.26 x 119.25 ins / 181 x 302.9 cm
The Corcoran Gallery of Art, Washington DC, USA
Painting ID:: 2544
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The_Last_of_the_Buffalo
1888
71.26 x 119.25 ins / 181 x 302.9 cm
The Corcoran Gallery of Art, Washington DC, USA
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The Oregon Trail
1869
Oil on canvas 31 x 49''(78.74 x 1245.46 cm)
signed,lower right Gift of Joseph G Butler III 946-0-101
Painting ID:: 28043
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The_Oregon_Trail
1869
Oil on canvas 31 x 49''(78.74 x 1245.46 cm)
signed,lower right Gift of Joseph G Butler III 946-0-101
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Among the Sierra Nevada Mountains
mk68
Oil on canvas
Washington,
Smithsonian American Art Musuem
1868
USA
Painting ID:: 30816
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Among_the_Sierra_Nevada_Mountains
mk68
Oil on canvas
Washington,
Smithsonian American Art Musuem
1868
USA
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Albert_Bierstadt
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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