Oil Painting Artist::. Anthony Van Dyck

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck The Balbi Children oil painting artist
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The Balbi Children
mk170 1625-1627 Oil on canvas 219x151cm

     Painting ID::  43125
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Balbi_Children
mk170 1625-1627 Oil on canvas 219x151cm

Anthony Van Dyck William Feilding,lst Earl of Denbigh oil painting artist
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William Feilding,lst Earl of Denbigh
mk170 1633-1634 Oil on canvas 247.5x148.5cm

     Painting ID::  43126
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  William_Feilding,lst_Earl_of_Denbigh
mk170 1633-1634 Oil on canvas 247.5x148.5cm

Anthony Van Dyck Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover oil painting artist
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Lady Elizabeth Thimbelby and Dorothy,Viscountess Andover
mk170 circa 1637 Oil on canvas 132.1x149cm

     Painting ID::  43127
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Lady_Elizabeth_Thimbelby_and_Dorothy,Viscountess_Andover
mk170 circa 1637 Oil on canvas 132.1x149cm

Anthony Van Dyck Portrait of GeorgeGage with Two Attendants oil painting artist
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Portrait of GeorgeGage with Two Attendants
mk170 1622-1623 Oil on canvas 15x113.5cm

     Painting ID::  43130
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Portrait_of_GeorgeGage_with_Two_Attendants
mk170 1622-1623 Oil on canvas 15x113.5cm

Anthony Van Dyck Lord John Stuart and His Brother,Lord Bernard Stuart oil painting artist
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Lord John Stuart and His Brother,Lord Bernard Stuart
mk170 circa 1638 Oil on canvas 237.5x146.1cm

     Painting ID::  43129
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Lord_John_Stuart_and_His_Brother,Lord_Bernard_Stuart
mk170 circa 1638 Oil on canvas 237.5x146.1cm

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     Anthony_Van_Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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