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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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The Turkish Bath (mk05)
1862
Canvas on wood,diameter 42 1/2''(108 cm)Given in 1911 R.F 1934 (S/AR)
Painting ID:: 20871
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The_Turkish_Bath_(mk05)
1862
Canvas on wood,diameter 42 1/2''(108 cm)Given in 1911 R.F 1934 (S/AR)
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Madame Moitessier Seated (mk09)
1856
Oil on canvas ,120 x 92.1 cm
London,National Gallery
Painting ID:: 21303
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Madame_Moitessier_Seated_(mk09)
1856
Oil on canvas ,120 x 92.1 cm
London,National Gallery
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The Turkish Bath (mk09)
1862
Oil on canvas,diamerer 108 cm
Paris,Musee National du Louvre
Painting ID:: 21318
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The_Turkish_Bath_(mk09)
1862
Oil on canvas,diamerer 108 cm
Paris,Musee National du Louvre
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Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk09)
1854
Oil on cavans,240 x 178 cm
Paris,Musee National du Louvre
Painting ID:: 21320
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Joan_of_Arc_at_the_Coronation_of_Charles_VII_in_Reims_Cathedral_(mk09)
1854
Oil on cavans,240 x 178 cm
Paris,Musee National du Louvre
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Valpincon Bather (mk09)
1808
Oil on canvas,146 x 97.5 cm
Paris,Musee National du Louvre
Painting ID:: 21321
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Valpincon_Bather_(mk09)
1808
Oil on canvas,146 x 97.5 cm
Paris,Musee National du Louvre
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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