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Francisco de Goya
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Portrait of Ferdinand VII of Spain in his robes of state
1814(1814)
Oil on canvas
212 ?? 146 cm (83.5 ?? 57.5 in)
cjr
Painting ID:: 75859
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Portrait_of_Ferdinand_VII_of_Spain_in_his_robes_of_state
1814(1814)
Oil on canvas
212 ?? 146 cm (83.5 ?? 57.5 in)
cjr
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Portrait of Jose Monino, 1st Count of Floridablanca
1782-1783
Oil
cjr
Painting ID:: 75880
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Portrait_of_Jose_Monino,_1st_Count_of_Floridablanca
1782-1783
Oil
cjr
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Portrait of Gaspar Melchor de Jovellanos
ca. 1798(1798)
Oil on canvas
205 ?? 123 cm (80.71 ?? 48.43 in)
cjr
Painting ID:: 75931
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Portrait_of_Gaspar_Melchor_de_Jovellanos
ca. 1798(1798)
Oil on canvas
205 ?? 123 cm (80.71 ?? 48.43 in)
cjr
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Portrait of the Maria Teresa de Borbon y Vallabriga,
Portrait of the Maria Teresa de Borbon y Vallabriga, 15th Countess of Chinch??n (1779-1828)
cjr
Painting ID:: 75998
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Portrait_of_the_Maria_Teresa_de_Borbon_y_Vallabriga,
Portrait of the Maria Teresa de Borbon y Vallabriga, 15th Countess of Chinch??n (1779-1828)
cjr
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Portrait of Gaspar Melchor de Jovellanos
1782(1782)
Oil on canvas
185 ?? 110 cm (72.8 ?? 43.3 in)
cjr
Painting ID:: 76031
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Portrait_of_Gaspar_Melchor_de_Jovellanos
1782(1782)
Oil on canvas
185 ?? 110 cm (72.8 ?? 43.3 in)
cjr
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Francisco_de_Goya
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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