Oil Painting Artist::. Nicolae Grigorescu

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     Nicolae Grigorescu
    Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

Nicolae Grigorescu Sepherdess oil painting artist
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Sepherdess
nn06 Oil on canvas 54x64cm Nicolae Grigorescu Memorial Museum,Campina

     Painting ID::  30787
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Sepherdess
nn06 Oil on canvas 54x64cm Nicolae Grigorescu Memorial Museum,Campina

Nicolae Grigorescu Woman Spinning oil painting artist
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Woman Spinning
nn06 1864-1869 oil on canvas 32x44cm

     Painting ID::  30788
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Woman_Spinning
nn06 1864-1869 oil on canvas 32x44cm

Nicolae Grigorescu In Front of the Firephale oil painting artist
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In Front of the Firephale
nn06 oil on canvas glued on metal 31.5x36cm Art Muesum, Constanta

     Painting ID::  30789
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  In_Front_of_the_Firephale
nn06 oil on canvas glued on metal 31.5x36cm Art Muesum, Constanta

Nicolae Grigorescu Young Woman with her Bundle oil painting artist
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Young Woman with her Bundle
nn06 oil on canvas 66.5x47cm National Art Museum of Romania,Bucharest

     Painting ID::  30790
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Young_Woman_with_her_Bundle
nn06 oil on canvas 66.5x47cm National Art Museum of Romania,Bucharest

Nicolae Grigorescu Peasant Woman in her House oil painting artist
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Peasant Woman in her House
nn06 1870-1872 Oil on canvas 31x47.2cm National Art Museum of Romania,Bucharest

     Painting ID::  30791
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Peasant_Woman_in_her_House
nn06 1870-1872 Oil on canvas 31x47.2cm National Art Museum of Romania,Bucharest

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     Nicolae_Grigorescu
    Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

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