Oil Painting Artist::. Kazimir Malevich

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     Kazimir Malevich
    1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

Kazimir Malevich Suprematist Composition oil painting artist
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Suprematist Composition
Suprematist Composition, oil painting by Kazimir Malevich 1916 cjr

     Painting ID::  73290
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Suprematist_Composition
Suprematist Composition, oil painting by Kazimir Malevich 1916 cjr

Kazimir Malevich Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago oil painting artist
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Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago
Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago cjr

     Painting ID::  75990
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Painterly_Realism_of_a_Football_Player--Color_Masses_in_the_4th_Dimension,_oil_on_canvas_painting_by_Kazimir_Malevich,_1915,_Art_Institute_of_Chicago
Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago cjr

Kazimir Malevich Suprematism oil painting artist
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Suprematism
Date 1915(1915) Medium Oil on canvas Dimensions Height: 101.5 cm (40 in). Width: 62 cm (24.4 in). cjr

     Painting ID::  82415
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Suprematism
Date 1915(1915) Medium Oil on canvas Dimensions Height: 101.5 cm (40 in). Width: 62 cm (24.4 in). cjr

Kazimir Malevich Suprematism. Two-Dimensional Self-Portrait oil painting artist
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Suprematism. Two-Dimensional Self-Portrait
Date 1915(1915) Medium Oil on canvas Dimensions 80 x 62 cm (31.5 x 24.4 in) cjr

     Painting ID::  84959
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Suprematism._Two-Dimensional_Self-Portrait
Date 1915(1915) Medium Oil on canvas Dimensions 80 x 62 cm (31.5 x 24.4 in) cjr

Kazimir Malevich Black Cross oil painting artist
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Black Cross
Date 1920s Medium Oil on canvas Dimensions 8 x 6 cm (3.1 x 2.4 in) cjr

     Painting ID::  87771
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Black_Cross
Date 1920s Medium Oil on canvas Dimensions 8 x 6 cm (3.1 x 2.4 in) cjr

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     Kazimir_Malevich
    1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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