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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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The Incredulity of Saint Thomas dsf
1601-02
Oil on canvas, 107 x 146 cm
Sanssouci, Potsdam
Painting ID:: 5772
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The_Incredulity_of_Saint_Thomas_dsf
1601-02
Oil on canvas, 107 x 146 cm
Sanssouci, Potsdam
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Supper at Emmaus gg
1601-02
Oil on canvas, 139 x 195 cm
National Gallery, London
Painting ID:: 5773
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Supper_at_Emmaus_gg
1601-02
Oil on canvas, 139 x 195 cm
National Gallery, London
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Supper at Emmaus (detail) fg
1601-02
Oil on canvas
National Gallery, London
Painting ID:: 5774
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Supper_at_Emmaus_(detail)_fg
1601-02
Oil on canvas
National Gallery, London
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Supper at Emmaus (detail) fdg
1601-02
Oil on canvas
National Gallery, London
Painting ID:: 5775
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Supper_at_Emmaus_(detail)_fdg
1601-02
Oil on canvas
National Gallery, London
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Amor Victorious dsf
1602-03
Oil on canvas, 156 x 113 cm
Staatliche Museen, Berlin
Painting ID:: 5776
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Amor_Victorious_dsf
1602-03
Oil on canvas, 156 x 113 cm
Staatliche Museen, Berlin
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Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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