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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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St Jerome and St Andrew
c. 1552
Oil on canvas,
235 x 145 cm
Painting ID:: 51196
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St_Jerome_and_St_Andrew
c. 1552
Oil on canvas,
235 x 145 cm
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Portrait of a Young Gentleman
c. 1555
Oil on canvas,
105 x 92 cm
Painting ID:: 51294
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Portrait_of_a_Young_Gentleman
c. 1555
Oil on canvas,
105 x 92 cm
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The Supper at Emmaus
1542-43 Oil on canvas, 156 x 212 cm
Painting ID:: 52292
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The_Supper_at_Emmaus
1542-43 Oil on canvas, 156 x 212 cm
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The Discovery of St Mark-s Body
1562-66 Oil on canvas, 400 x 400 cm
Painting ID:: 52294
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The_Discovery_of_St_Mark-s_Body
1562-66 Oil on canvas, 400 x 400 cm
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st.george and the dragon
mk247
c.1558,oil on canvas,62x39.5 in,157.5x100.3 cm,national,gallery,london,uk
Painting ID:: 56023
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st.george_and_the_dragon
mk247
c.1558,oil on canvas,62x39.5 in,157.5x100.3 cm,national,gallery,london,uk
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| Prev Artist Next Artist
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Tintoretto
Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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