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Bernardo Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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Election of Stanislaw August Poniatowski
1778(1778)
Election of Stanisław August Poniatowski
Medium oil on canvas
cjr
Painting ID:: 93626
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Election_of_Stanislaw_August_Poniatowski
1778(1778)
Election of Stanisław August Poniatowski
Medium oil on canvas
cjr
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Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche
circa 1759(1759)
Medium oil on canvas
cjr
Painting ID:: 94027
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Ansicht_von_Wien,_Platz_vor_der_Universitat,_von_Sudost_aus_gesehen,_mit_der_groben_Aula_der_Universitat_und_Jesuitenkirche
circa 1759(1759)
Medium oil on canvas
cjr
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Das kaiserliche Lustschlob Schlobhof, Ehrenhofseite
1758/61
Medium oil on canvas
Dimensions 136 x 237 cm (53.5 x 93.3 in)
cjr
Painting ID:: 94080
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Das_kaiserliche_Lustschlob_Schlobhof,_Ehrenhofseite
1758/61
Medium oil on canvas
Dimensions 136 x 237 cm (53.5 x 93.3 in)
cjr
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Colonel Piotr Konigsfels teaching Prince Jozef Poniatowski how to ride
1773(1773)
Medium oil on canvas
Dimensions 73 x 81.5 cm
cyf
Painting ID:: 98093
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Colonel_Piotr_Konigsfels_teaching_Prince_Jozef_Poniatowski_how_to_ride
1773(1773)
Medium oil on canvas
Dimensions 73 x 81.5 cm
cyf
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Arch of Constantine
1742(1742)
Medium oil on canvas
cyf
Painting ID:: 98171
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Arch_of_Constantine
1742(1742)
Medium oil on canvas
cyf
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Bernardo_Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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