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Giovanni Bellini
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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Madonna and Child with Two Saints
Date ca. 1490(1490)
Medium Oil on wood
Dimensions 58 x 107 cm (22.8 x 42.1 in)
cjr
Painting ID:: 83607
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Madonna_and_Child_with_Two_Saints
Date ca. 1490(1490)
Medium Oil on wood
Dimensions 58 x 107 cm (22.8 x 42.1 in)
cjr
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Madonna of the Meadow
Date 1505(1505)
Medium Oil on canvas, transferred from wood
cjr
Painting ID:: 84283
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Madonna_of_the_Meadow
Date 1505(1505)
Medium Oil on canvas, transferred from wood
cjr
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Madonna and Child
Date between 1485(1485) and 1490(1490)
Medium Oil on wood
Dimensions Height: 89 cm (35 in). Width: 71 cm (28 in).
cjr
Painting ID:: 84477
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Madonna_and_Child
Date between 1485(1485) and 1490(1490)
Medium Oil on wood
Dimensions Height: 89 cm (35 in). Width: 71 cm (28 in).
cjr
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Madonna and Child Blessing
Date 1510(1510)
Medium Oil on wood
cjr
Painting ID:: 84658
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Madonna_and_Child_Blessing
Date 1510(1510)
Medium Oil on wood
cjr
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Madonna of the Meadow
Date 1505(1505)
Medium Oil on canvas, transferred from wood
Dimensions Height: 67 cm (26.4 in). Width: 86 cm (33.9 in).
cjr
Painting ID:: 85535
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Madonna_of_the_Meadow
Date 1505(1505)
Medium Oil on canvas, transferred from wood
Dimensions Height: 67 cm (26.4 in). Width: 86 cm (33.9 in).
cjr
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Giovanni_Bellini
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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