Oil Painting Artist::. POUSSIN, Nicolas

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     POUSSIN, Nicolas
    French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

POUSSIN, Nicolas Moise changeant en serpent la verge d'Aaron oil painting artist
 Click Image to Enlarge
Moise changeant en serpent la verge d'Aaron
mk70 Toile H.0.92 L.1.28 Paris,Muss du Louvre

     Painting ID::  31037
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Moise_changeant_en_serpent_la_verge_d'Aaron
mk70 Toile H.0.92 L.1.28 Paris,Muss du Louvre

POUSSIN, Nicolas Le jugement de Salomon oil painting artist
 Click Image to Enlarge
Le jugement de Salomon
Toile H.1.01 L.1.50 Paris,Musee du Louvre

     Painting ID::  31038
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Le_jugement_de_Salomon
Toile H.1.01 L.1.50 Paris,Musee du Louvre

POUSSIN, Nicolas Les aveugles de jericho oil painting artist
 Click Image to Enlarge
Les aveugles de jericho
mk70 Toile. H.1.19 L.1.76 Paris,Musee du Louvre

     Painting ID::  31039
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Les_aveugles_de_jericho
mk70 Toile. H.1.19 L.1.76 Paris,Musee du Louvre

POUSSIN, Nicolas Eliezer dt Rebecca oil painting artist
 Click Image to Enlarge
Eliezer dt Rebecca
mk70 Toile H.1.18 L.1.99 Paris,Musee du Louvre

     Painting ID::  31040
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Eliezer_dt_Rebecca
mk70 Toile H.1.18 L.1.99 Paris,Musee du Louvre

POUSSIN, Nicolas L.Hiver ou Le deluge oil painting artist
 Click Image to Enlarge
L.Hiver ou Le deluge
mk70 Toile H.1.18 L.1.60 Paris,Musee du Louvre

     Painting ID::  31041
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  L.Hiver_ou_Le_deluge
mk70 Toile H.1.18 L.1.60 Paris,Musee du Louvre

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     POUSSIN,_Nicolas
    French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

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