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Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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Roman and Venetian Quattrocento (mk20)
1890/91
Spandrel and intercolumniation paintings at the Kunsthistorisches Museum,Vienna
Oil on plaster
Each Spandrel painting ca 230 x 230 cm
Painting ID:: 22452
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Roman_and_Venetian_Quattrocento_(mk20)
1890/91
Spandrel and intercolumniation paintings at the Kunsthistorisches Museum,Vienna
Oil on plaster
Each Spandrel painting ca 230 x 230 cm
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Idyll (mk20)
1884
Idylle
Oil on canvas,50 x 74 cm
Historical Museum,Vienna
Painting ID:: 22453
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Idyll_(mk20)
1884
Idylle
Oil on canvas,50 x 74 cm
Historical Museum,Vienna
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Upper Part of a Recumbent Girl,from the Right,and Two Studies of Hands (mk20)
1886-1888
Black chalk,Washed and highlighted in white 45 x 32 cm
Albertina,Vienna
Painting ID:: 22454
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Upper_Part_of_a_Recumbent_Girl,from_the_Right,and_Two_Studies_of_Hands_(mk20)
1886-1888
Black chalk,Washed and highlighted in white 45 x 32 cm
Albertina,Vienna
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Half-Length Portrait with Three-Quarter View of an Older Man,from the Left (ceiling painting at the Burgtheater in Vienna) (mk20)
1886-1888
Black chalk,highlighted in white,43 x 29 cm
Albertina,Vienna
Painting ID:: 22455
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Half-Length_Portrait_with_Three-Quarter_View_of_an_Older_Man,from_the_Left_(ceiling_painting_at_the_Burgtheater_in_Vienna)_(mk20)
1886-1888
Black chalk,highlighted in white,43 x 29 cm
Albertina,Vienna
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Church at Unterach on Lake Atter (mk20)
1916
Oil on canvas,110 x 110 cm
Private collection,Graz
Painting ID:: 22456
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Church_at_Unterach_on_Lake_Atter_(mk20)
1916
Oil on canvas,110 x 110 cm
Private collection,Graz
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Gustav_Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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