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Gustave Moreau
French
1826-1898
Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement.
His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.
Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism.
He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault.
Moreau is buried in Paris' Cimeti??re de Montmartre.
In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.
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Thracian Girl Carrying the Head of Orpheus on His Lyre
Date 1865(1865)
Medium English: Oil on canvas
154 x 100
cjr
Painting ID:: 80942
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Thracian_Girl_Carrying_the_Head_of_Orpheus_on_His_Lyre
Date 1865(1865)
Medium English: Oil on canvas
154 x 100
cjr
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Pieta
Date ca. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
cjr
Painting ID:: 81547
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Pieta
Date ca. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
cjr
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Prometheus
Date 1868(1868)
Medium Oil on canvas
Dimensions Deutsch: 205 x 122 cm
cjr
Painting ID:: 82162
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Prometheus
Date 1868(1868)
Medium Oil on canvas
Dimensions Deutsch: 205 x 122 cm
cjr
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| Click Image to Enlarge |
Thracian Girl Carrying the Head of Orpheus on His Lyre
1865(1865)
Medium English: Oil on canvas
cyf
Painting ID:: 85054
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Thracian_Girl_Carrying_the_Head_of_Orpheus_on_His_Lyre
1865(1865)
Medium English: Oil on canvas
cyf
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| Click Image to Enlarge |
Pieta
c. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
cyf
Painting ID:: 85557
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Pieta
c. 1876(1876)
Medium Oil on canvas
Dimensions 23 x 16 cm (9.1 x 6.3 in)
cyf
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Gustave_Moreau
French
1826-1898
Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement.
His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.
Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism.
He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault.
Moreau is buried in Paris' Cimeti??re de Montmartre.
In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.
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