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Monamy, Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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The taking of Porto Bello by Vice-Admiral Vernon on 22 November 1739 with six men-o-war only
mk175
Painting ID:: 44759
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The_taking_of_Porto_Bello_by_Vice-Admiral_Vernon_on_22_November_1739_with_six_men-o-war_only
mk175
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A storm
mk175
Painting ID:: 44760
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A_storm
mk175
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Calm scene of a yacht offshore with another ship firing a salute
mk175
Painting ID:: 44761
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Calm_scene_of_a_yacht_offshore_with_another_ship_firing_a_salute
mk175
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The Surrender of the Spanish Fleet to the British at Havana
mk175
13 August 1762
Oil on canvas
54x88
Painting ID:: 44763
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The_Surrender_of_the_Spanish_Fleet_to_the_British_at_Havana
mk175
13 August 1762
Oil on canvas
54x88
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British fleet advances on
English: The British fleet advances on the Fortress of Louisbourg en route to victory in the 1745 Siege of Louisbourg.
Date 18th century
cyf
Painting ID:: 75227
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British_fleet_advances_on
English: The British fleet advances on the Fortress of Louisbourg en route to victory in the 1745 Siege of Louisbourg.
Date 18th century
cyf
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Monamy,_Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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