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Charles M Russell
American Painter, 1864-1926
American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.
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Lewis and Clark Meeting Indians at Ross'Hole
mk77
1912
Oil on canvas
25x12in
Painting ID:: 32009
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Lewis_and_Clark_Meeting_Indians_at_Ross'Hole
mk77
1912
Oil on canvas
25x12in
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Watcher of the Plains
mk162
c.1902
Bronze
Painting ID:: 41464
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Watcher_of_the_Plains
mk162
c.1902
Bronze
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Friend Tex
mk162
1918
Watercolor and ink on paper
14x7
Painting ID:: 41467
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Friend_Tex
mk162
1918
Watercolor and ink on paper
14x7
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Self-Portrait
mk162
1900
Watercolor on paper
12x7
Painting ID:: 41468
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Self-Portrait
mk162
1900
Watercolor on paper
12x7
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Roping a Grizzly
mk162
1903
Watercolor on paper
19x28
Painting ID:: 41469
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Roping_a_Grizzly
mk162
1903
Watercolor on paper
19x28
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Charles_M_Russell
American Painter, 1864-1926
American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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