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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Chalk Cliffs of Rugen (mk10)
1818,oil on canvas,
90 x 70 cm
Winterthur,Museum Stiftung Oskar Reinhart
Painting ID:: 21854
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Chalk_Cliffs_of_Rugen_(mk10)
1818,oil on canvas,
90 x 70 cm
Winterthur,Museum Stiftung Oskar Reinhart
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Woman Before the Setting Sun (mk10)
1818,oil on canvas,22 x 30 cm
Essen,Museum Folkwang
Painting ID:: 21855
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Woman_Before_the_Setting_Sun_(mk10)
1818,oil on canvas,22 x 30 cm
Essen,Museum Folkwang
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Two Men at Twilight (mk10)
1830-1835,oil on canvas 25 x 31 cm
St.Petersburg,Hermitage Museum
Painting ID:: 21860
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Two_Men_at_Twilight_(mk10)
1830-1835,oil on canvas 25 x 31 cm
St.Petersburg,Hermitage Museum
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Two Men on the Beach in Moonlight (mk10)
1817,oil on canvas 51 x 66 cm
Berlin,Nationalgalerie
Painting ID:: 21861
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Two_Men_on_the_Beach_in_Moonlight_(mk10)
1817,oil on canvas 51 x 66 cm
Berlin,Nationalgalerie
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Two Men Contemplating the Moon (mk10)
1819,oil on canvas,35 x 44 cm
Dresden,Staatliche Kunstsammlungen Gemaldegalerie
Painting ID:: 21869
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Two_Men_Contemplating_the_Moon_(mk10)
1819,oil on canvas,35 x 44 cm
Dresden,Staatliche Kunstsammlungen Gemaldegalerie
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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