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Gerard David
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Virgin and Child with the Milk Soup
1515(1515)
Medium Oil on oak
cyf
Painting ID:: 88824
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Virgin_and_Child_with_the_Milk_Soup
1515(1515)
Medium Oil on oak
cyf
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Crucifixion
c. 1515(1515)
oil on oak
cyf
Painting ID:: 89023
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Crucifixion
c. 1515(1515)
oil on oak
cyf
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Altarpiece of St Michael
first half of 16th century
Medium oil on wood
cyf
Painting ID:: 89024
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Altarpiece_of_St_Michael
first half of 16th century
Medium oil on wood
cyf
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The Adoration of the Magi
1500(1500)
Medium oil on oak
cyf
Painting ID:: 89148
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The_Adoration_of_the_Magi
1500(1500)
Medium oil on oak
cyf
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The Deposition
first half of 16th century
Medium oil on wood
cyf
Painting ID:: 89149
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The_Deposition
first half of 16th century
Medium oil on wood
cyf
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Gerard_David
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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