Oil Painting Artist::. Niko Pirosmanashvili

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     Niko Pirosmanashvili
    (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

Niko Pirosmanashvili Reclining Woman oil painting artist
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Reclining Woman
114 X 95 cm (44.9 X 37.4 in) Oil painting on oilcloth pre 1919 cjr

     Painting ID::  96274
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Reclining_Woman
114 X 95 cm (44.9 X 37.4 in) Oil painting on oilcloth pre 1919 cjr

Niko Pirosmanashvili Six-Scene Panel oil painting artist
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Six-Scene Panel
pre 1919 Medium oil on oilcloth Dimensions 380 X 180 cm (149.6 X 70.9 in) cjr

     Painting ID::  96275
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Six-Scene_Panel
pre 1919 Medium oil on oilcloth Dimensions 380 X 180 cm (149.6 X 70.9 in) cjr

Niko Pirosmanashvili A Robber with a Stolen Horse oil painting artist
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A Robber with a Stolen Horse
oil on oilcloth Dimensions 90 X 112 cm cyf

     Painting ID::  96278
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Robber_with_a_Stolen_Horse
oil on oilcloth Dimensions 90 X 112 cm cyf

Niko Pirosmanashvili Village oil painting artist
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Village
Village Date 1916(1916) Medium English: Oil painting on cardboard cjr

     Painting ID::  96476
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Village
Village Date 1916(1916) Medium English: Oil painting on cardboard cjr

Niko Pirosmanashvili Nanny Goat oil painting artist
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Nanny Goat
Nanny Goat Date pre 1919 Medium English: Oil painting on cardboard 80 X 49 cm (31.5 X 19.3 in) cjr

     Painting ID::  96477
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Nanny_Goat
Nanny Goat Date pre 1919 Medium English: Oil painting on cardboard 80 X 49 cm (31.5 X 19.3 in) cjr

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     Niko_Pirosmanashvili
    (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

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