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Hieronymus Bosch
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
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Christ Carrying the Cross
c. 1500(1500) (1485-1515)
Medium oil on panel
Dimensions 57.2 X 32 cm (22.5 X 12.6 in)
cjr
Painting ID:: 92966
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Christ_Carrying_the_Cross
c. 1500(1500) (1485-1515)
Medium oil on panel
Dimensions 57.2 X 32 cm (22.5 X 12.6 in)
cjr
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Hell.
between 1500(1500) and 1502(1502)
Medium oil on panel
Dimensions Height: 135 cm (53.1 in). Width: 45 cm (17.7 in).
cjr
Painting ID:: 92980
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Hell.
between 1500(1500) and 1502(1502)
Medium oil on panel
Dimensions Height: 135 cm (53.1 in). Width: 45 cm (17.7 in).
cjr
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The Adoration of the Magi
between 1468(1468) and 1560(1560)
Medium oil, tempera and gold on panel
Dimensions 71.1 X 56.5 cm (28 X 22.2 in)
cjr
Painting ID:: 93196
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The_Adoration_of_the_Magi
between 1468(1468) and 1560(1560)
Medium oil, tempera and gold on panel
Dimensions 71.1 X 56.5 cm (28 X 22.2 in)
cjr
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Ecce Homo.
between 1475(1475) and 1480(1480)
Medium oil and tempera on oak panel
Dimensions Height: 71 cm (28 in). Width: 61 cm (24 in).
cjr
Painting ID:: 93317
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Ecce_Homo.
between 1475(1475) and 1480(1480)
Medium oil and tempera on oak panel
Dimensions Height: 71 cm (28 in). Width: 61 cm (24 in).
cjr
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The Garden of Earthly Delights
oil on panel
cjr
Painting ID:: 93749
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The_Garden_of_Earthly_Delights
oil on panel
cjr
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Hieronymus_Bosch
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
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