Oil Painting Artist::. RENI, Guido

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     RENI, Guido
    Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

RENI, Guido Portrat des Kardinals Bernardino Spada oil painting artist
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Portrat des Kardinals Bernardino Spada
Date Deutsch: um 1631 English: c. 1631 Medium Oil on canvas Dimensions Deutsch: 222 x 147 cm cyf

     Painting ID::  82251
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_des_Kardinals_Bernardino_Spada
Date Deutsch: um 1631 English: c. 1631 Medium Oil on canvas Dimensions Deutsch: 222 x 147 cm cyf

RENI, Guido Judith oil painting artist
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Judith
. 1620(1620) Medium Oil on canvas cyf

     Painting ID::  88285
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Judith
. 1620(1620) Medium Oil on canvas cyf

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     RENI,_Guido
    Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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