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Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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The Ghent altar piece voltooid
MK169
1432 Tempered and oil paint on panel ca.335x229cm
St. Bavo. Ghent
Painting ID:: 42621
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The_Ghent_altar_piece_voltooid
MK169
1432 Tempered and oil paint on panel ca.335x229cm
St. Bavo. Ghent
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The Ghent altaarstuck
MK169
voltooid 1432 Tempered and oil paint on panel ca.335x229cm St. Bavo. Ghent
Painting ID:: 42622
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The_Ghent_altaarstuck
MK169
voltooid 1432 Tempered and oil paint on panel ca.335x229cm St. Bavo. Ghent
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Portrait of a Young Man
mk170
Oil on oak
33.3x18.9cm
Painting ID:: 42842
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Portrait_of_a_Young_Man
mk170
Oil on oak
33.3x18.9cm
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Organ from The Ghent Altarpiece
mk176
1432
tempera and oil on wood
11x7.3
Painting ID:: 44867
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Organ_from_The_Ghent_Altarpiece
mk176
1432
tempera and oil on wood
11x7.3
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The Ghent Altarpiece
mk176
1432
tempera and oil on wood
11x7.3in
Painting ID:: 44868
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The_Ghent_Altarpiece
mk176
1432
tempera and oil on wood
11x7.3in
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Jan_Van_Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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