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Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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Family Portrait
mk65
1621
Oil on canvas
44 1/2x37"
Painting ID:: 29323
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Family_Portrait
mk65
1621
Oil on canvas
44 1/2x37"
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Sir Thomas Chaloner
mk65
Oil on canvas
41x32"
Painting ID:: 29327
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Sir_Thomas_Chaloner
mk65
Oil on canvas
41x32"
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Anna Dalkeith,Countess of Morton,and Lady Anna Kirk
mk65
Oil on canvas
52x59"
Painting ID:: 29331
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Anna_Dalkeith,Countess_of_Morton,and_Lady_Anna_Kirk
mk65
Oil on canvas
52x59"
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Details of Anna Dalkeith,Countess of Morton, and Lady Anna Kirk
mk65
Details
Painting ID:: 29332
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Details_of_Anna_Dalkeith,Countess_of_Morton,_and_Lady_Anna_Kirk
mk65
Details
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Portrait of Marguerite of Lorraine,Duchess of Orleans
mk67
Oil on canvas
80 5/16x46 1/16in
Uffizi,Gallery
Painting ID:: 30016
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Portrait_of_Marguerite_of_Lorraine,Duchess_of_Orleans
mk67
Oil on canvas
80 5/16x46 1/16in
Uffizi,Gallery
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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