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Fra Angelico
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
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Annalena Panel
mk86
c.1445
The Virgin and Child enthroned with SS.
Tempera on wood
180x202cm
Florence,Museo di San Marco
Painting ID:: 33347
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Annalena_Panel
mk86
c.1445
The Virgin and Child enthroned with SS.
Tempera on wood
180x202cm
Florence,Museo di San Marco
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The Lamentation of Christ
mk86
1436
Tempera on wood
108x165cm
Florence,Museo di San Marco
Painting ID:: 33348
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The_Lamentation_of_Christ
mk86
1436
Tempera on wood
108x165cm
Florence,Museo di San Marco
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Entombment
mk86
1438-1443
Tempera on wood
37.9x46.4cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
Painting ID:: 33349
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Entombment
mk86
1438-1443
Tempera on wood
37.9x46.4cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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The Coronation of the Virgin
mk86
c.1430-1435
Tempera on wood
209x206cm
Paris,Musee National du Louvre
Painting ID:: 33350
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The_Coronation_of_the_Virgin
mk86
c.1430-1435
Tempera on wood
209x206cm
Paris,Musee National du Louvre
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The Annunciation
mk86
c.1450
Fresco
216x321cm
Florence,Covent of San Marco
Painting ID:: 33351
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The_Annunciation
mk86
c.1450
Fresco
216x321cm
Florence,Covent of San Marco
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Fra_Angelico
Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent".
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico".
Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
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