Oil Painting Artist::. Hans Holbein

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     Hans Holbein
    German 1497-1543 Hans Holbein Galleries Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived. David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians. A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.

Hans Holbein The birth of Christ oil painting artist
 Click Image to Enlarge
The birth of Christ
mk252 oak plank oil painting 74.9 x 60.3 centimeters in 1527

     Painting ID::  57081
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_birth_of_Christ
mk252 oak plank oil painting 74.9 x 60.3 centimeters in 1527

Hans Holbein Childhood portrait of Edward V oil painting artist
 Click Image to Enlarge
Childhood portrait of Edward V
mk252 oak oil painting 57 x 44 cm

     Painting ID::  57082
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Childhood_portrait_of_Edward_V
mk252 oak oil painting 57 x 44 cm

Hans Holbein Queen s portrait of Farmer Zhansai oil painting artist
 Click Image to Enlarge
Queen s portrait of Farmer Zhansai
mk252 oil painting oak 65.4 x 40.7 cm

     Painting ID::  57083
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Queen_s_portrait_of_Farmer_Zhansai
mk252 oil painting oak 65.4 x 40.7 cm

Hans Holbein Henry VIII portrait oil painting artist
 Click Image to Enlarge
Henry VIII portrait
mk252 oak panel painting 28 x 20 cm

     Painting ID::  57085
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Henry_VIII_portrait
mk252 oak panel painting 28 x 20 cm

Hans Holbein Rotterdam's Erasmus and the Renaissance portrait Bizhu oil painting artist
 Click Image to Enlarge
Rotterdam's Erasmus and the Renaissance portrait Bizhu
mk252 Oil painting of wood 73.6 x 51.4 cm in 1523

     Painting ID::  57086
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Rotterdam's_Erasmus_and_the_Renaissance_portrait_Bizhu
mk252 Oil painting of wood 73.6 x 51.4 cm in 1523

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     Hans_Holbein
    German 1497-1543 Hans Holbein Galleries Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived. David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians. A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.

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