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Domenico Ghirlandaio
Italian
1449-1494
Domenico Ghirlandaio Galleries
Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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Its image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
Painting ID:: 58156
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Its_image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
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An Old Man and His Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
Painting ID:: 59052
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An_Old_Man_and_His_Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
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Portrait of a Young Woman
Portrait of a Young Woman
Painting ID:: 59053
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Portrait_of_a_Young_Woman
Portrait of a Young Woman
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Supposed self portrait in Adoration of the Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
Painting ID:: 59054
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Supposed_self_portrait_in_Adoration_of_the_Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
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Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
Painting ID:: 62402
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Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
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Domenico_Ghirlandaio
Italian
1449-1494
Domenico Ghirlandaio Galleries
Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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