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Pontormo
Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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Holy War
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
Painting ID:: 62030
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Holy_War
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Resurrection of Christ
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
Painting ID:: 62031
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Resurrection_of_Christ
mk276 1525 frescos years 300 x 290cm Qieer holds the Sa monastery
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Unloaded Eucharist
mk276 1526 Oil on canvas 313 x 192cm Kaposi Chapel
Painting ID:: 62032
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Unloaded_Eucharist
mk276 1526 Oil on canvas 313 x 192cm Kaposi Chapel
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Reported pregnancy plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
Painting ID:: 62033
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Reported_pregnancy_plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
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Holy Family
mk276 1530 frescos years 228 x 176cm Paris Louvre Museum
Painting ID:: 62034
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Holy_Family
mk276 1530 frescos years 228 x 176cm Paris Louvre Museum
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Pontormo
Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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