Frederic E.Church 1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
Horseshor Falls,Niagara mk48
1856-57
Oil on two pieces of paper
joined
11 1/2x35 5/8in
Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation
Painting ID:: 26203
Horseshor_Falls,Niagara mk48
1856-57
Oil on two pieces of paper
joined
11 1/2x35 5/8in
Olana State Historic Site,New York State Office of Parks,Recreation and Historic Preservation
Palm Tres and Housetops,Ecuador mk48
may 1857
Brush and oil paint,traces of graphite on thin paperboard
13 15/16x11 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church
Painting ID:: 26205
Palm_Tres_and_Housetops,Ecuador mk48
may 1857
Brush and oil paint,traces of graphite on thin paperboard
13 15/16x11 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institusion,Gift of Louis P.Church
View of Cotopaxi mk48
1857
Oil on canvas
24 1/2x36 1/2in
The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster
Painting ID:: 26206
View_of_Cotopaxi mk48
1857
Oil on canvas
24 1/2x36 1/2in
The Art Institute of Chicago,Gift of Jennette Hamlin in Memory of Mr.and Mrs.Louis Dana Webster
Mount Chimborazo,Ecuador mk48
May-june 1857
Brush and oil paint,graphite on thin paperboard
9 1/16x17 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
Painting ID:: 26207
Frederic_E.Church 1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.