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Theodore Robinson
1852-1896
Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet.
La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress.
At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
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Giverny
Date 1889(1889)
Medium Oil on canvas
Dimensions 39.37 x 55.88 cm (15.5 x 22 in)
cjr
Painting ID:: 83760
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Giverny
Date 1889(1889)
Medium Oil on canvas
Dimensions 39.37 x 55.88 cm (15.5 x 22 in)
cjr
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Beacon Street Boston
1884(1884)
Medium Oil on canvas
Dimensions 17 x 21 in (43.2 x 53.3 cm)
cyf
Painting ID:: 84739
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Beacon_Street_Boston
1884(1884)
Medium Oil on canvas
Dimensions 17 x 21 in (43.2 x 53.3 cm)
cyf
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The Old Mill
Date c. 1892(1892)
Medium Oil on canvas
Dimensions 45.7 x 55.6 cm (18 x 21.9 in)
cjr
Painting ID:: 86005
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The_Old_Mill
Date c. 1892(1892)
Medium Oil on canvas
Dimensions 45.7 x 55.6 cm (18 x 21.9 in)
cjr
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Two in a Boat
Date 1891(1891)
Medium Oil on canvas
Dimensions 24.77 x 35.56 cm (9.8 x 14 in)
cjr
Painting ID:: 86667
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Two_in_a_Boat
Date 1891(1891)
Medium Oil on canvas
Dimensions 24.77 x 35.56 cm (9.8 x 14 in)
cjr
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Giverny
1889(1889)
Medium Oil on canvas
Dimensions 39.37 x 55.88 cm (15.5 x 22 in)
cyf
Painting ID:: 87674
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Giverny
1889(1889)
Medium Oil on canvas
Dimensions 39.37 x 55.88 cm (15.5 x 22 in)
cyf
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Theodore_Robinson
1852-1896
Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet.
La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress.
At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
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