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Domenichino
1581-1641
Italian
Domenichino Locations
Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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The Assumption of Mary Magdalen into Heaven
mk244
c.1617-1621
Oil on canvas
129x100cm
Painting ID:: 55724
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The_Assumption_of_Mary_Magdalen_into_Heaven
mk244
c.1617-1621
Oil on canvas
129x100cm
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st.george killing the dragon
mk247
c.1610,oil on wood,20.75x24.12 in ,53x62 cm,national gallery,london,uk
Painting ID:: 56047
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st.george_killing_the_dragon
mk247
c.1610,oil on wood,20.75x24.12 in ,53x62 cm,national gallery,london,uk
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Martyrdom of St. Peter the Martyr,
Martyrdom of St. Peter the Martyr, c. 1619-21, Pinacoteca Nazionale di Bologna.
Painting ID:: 58686
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Martyrdom_of_St._Peter_the_Martyr,
Martyrdom of St. Peter the Martyr, c. 1619-21, Pinacoteca Nazionale di Bologna.
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A Virgin with a Unicorn
A Virgin with a Unicorn, c. 1604-05, fresco in Palazzo Farnese, Rome, by Domenichino after a design by Annibale Carracci
Painting ID:: 58689
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A_Virgin_with_a_Unicorn
A Virgin with a Unicorn, c. 1604-05, fresco in Palazzo Farnese, Rome, by Domenichino after a design by Annibale Carracci
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St. Cecilia Distributing Alms
St. Cecilia Distributing Alms, fresco, 1612-15, San Luigi dei Francesi, Rome
Painting ID:: 58690
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St._Cecilia_Distributing_Alms
St. Cecilia Distributing Alms, fresco, 1612-15, San Luigi dei Francesi, Rome
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Domenichino
1581-1641
Italian
Domenichino Locations
Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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