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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Pieta (mk08)
c.1519/20
Oil on wood,
99x120cm
Vienna,Kunsthistorischs Museum
Painting ID:: 21297
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Pieta_(mk08)
c.1519/20
Oil on wood,
99x120cm
Vienna,Kunsthistorischs Museum
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Assumption of the Virgin (nn03)
c 1526
Oil on panel h 379 x w 222 cm h 149 x w 87 1/2in Palazzo Pitti,Florence
Painting ID:: 23248
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Assumption_of_the_Virgin_(nn03)
c 1526
Oil on panel h 379 x w 222 cm h 149 x w 87 1/2in Palazzo Pitti,Florence
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Self-Portrait
mk52
c.1528-30
Fresco on ceramic tile
51.5x37.5cm
Uffizi,Florence
Painting ID:: 26735
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Self-Portrait
mk52
c.1528-30
Fresco on ceramic tile
51.5x37.5cm
Uffizi,Florence
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The Sacrifice of Abraham
mk61
c.1529
Oil on canvas
98x69cm
Painting ID:: 28616
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The_Sacrifice_of_Abraham
mk61
c.1529
Oil on canvas
98x69cm
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Madonna and Child with SS.Francis and John the Baptist
mk65
Oil on panel
81 1/2x70 1/16in
Painting ID:: 28854
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Madonna_and_Child_with_SS.Francis_and_John_the_Baptist
mk65
Oil on panel
81 1/2x70 1/16in
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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