Philipp Otto Runge German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
Gruppenportrat von Philipp Otto Runge mit Selbstdarstellung des Kunstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Ru Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des KXnstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
cjr
Painting ID:: 73589
Gruppenportrat_von_Philipp_Otto_Runge_mit_Selbstdarstellung_des_Kunstlers_(rechts)_zusammen_mit_seiner_Frau_Pauline_und_seinem_Bruder_Johann_Daniel_Ru Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des KXnstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
cjr
seiner Frau Deutsch: Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des Kenstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
Date 1805
cyf
Painting ID:: 75305
seiner_Frau Deutsch: Gruppenporträt von Philipp Otto Runge mit Selbstdarstellung des Kenstlers (rechts) zusammen mit seiner Frau Pauline und seinem Bruder Johann Daniel Runge (links).
Date 1805
cyf
Philipp_Otto_Runge German Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,