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Georges Seurat
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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Model
mk87
Front View 1887
Oil on panel
26x17cm
Paris,Musee d'orsay
Painting ID:: 33973
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Model
mk87
Front View 1887
Oil on panel
26x17cm
Paris,Musee d'orsay
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Sunday Afternoon on the Island of La Grande Jatte
mk87
1884-1886
Oil on canvas
206.4x305.4cm
Chicago
Painting ID:: 33975
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Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
mk87
1884-1886
Oil on canvas
206.4x305.4cm
Chicago
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Bathers at Asnieres
mk87
c.1883/84
Oil on canvas
201x301.5cm
London,National Gallery
Painting ID:: 33976
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Bathers_at_Asnieres
mk87
c.1883/84
Oil on canvas
201x301.5cm
London,National Gallery
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Port-en-Bessin,Les Grues et la Percee
mk94
1888
Painting ID:: 34604
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Port-en-Bessin,Les_Grues_et_la_Percee
mk94
1888
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Etude pour Moyenne Distance,gauche,avec Bateau a Voile
mk94
1884-86
Painting ID:: 34664
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Etude_pour_Moyenne_Distance,gauche,avec_Bateau_a_Voile
mk94
1884-86
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Georges_Seurat
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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