Oil Painting Artist::. Nicolas Poussin

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     Nicolas Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

Nicolas Poussin E-cho and Narcissus oil painting artist
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E-cho and Narcissus
1628Oil on canvas 74 x 100 cm Louvre Echo and Narcissus

     Painting ID::  10088
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  E-cho_and_Narcissus
1628Oil on canvas 74 x 100 cm Louvre Echo and Narcissus

Nicolas Poussin Midas and Bacchus oil painting artist
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Midas and Bacchus
1629 Oil on canvas 98 x 130 cm Alte Pinakothek, Munich

     Painting ID::  10089
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Midas_and_Bacchus
1629 Oil on canvas 98 x 130 cm Alte Pinakothek, Munich

Nicolas Poussin Acis and Galatea oil painting artist
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Acis and Galatea
1630 Oil on canvas 97x135 cm National Gallery of Ireland

     Painting ID::  10090
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Acis_and_Galatea
1630 Oil on canvas 97x135 cm National Gallery of Ireland

Nicolas Poussin Inspiration of the Poet oil painting artist
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Inspiration of the Poet
1630 Oil on canvas 182,5 x 213 cmLouvre

     Painting ID::  10091
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Inspiration_of_the_Poet
1630 Oil on canvas 182,5 x 213 cmLouvre

Nicolas Poussin Inspiration of the Poet oil painting artist
 Click Image to Enlarge
Inspiration of the Poet
1630 Oil on canvas 182,5 x 213 cmLouvre

     Painting ID::  10092
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Inspiration_of_the_Poet
1630 Oil on canvas 182,5 x 213 cmLouvre

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     Nicolas_Poussin
    French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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