Oil Painting Artist::. John Henry Twachtman

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     John Henry Twachtman
    American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

John Henry Twachtman Old Holley House, Cos Cob oil painting artist
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Old Holley House, Cos Cob
Date 1901(1901) Medium oil on canvas TTD

     Painting ID::  93928
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Old_Holley_House,_Cos_Cob
Date 1901(1901) Medium oil on canvas TTD

John Henry Twachtman Die weiBe BrUcke oil painting artist
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Die weiBe BrUcke
Date 1875-1890 Medium oil on canvas Dimensions 77 x 51,5 cm TTD

     Painting ID::  93930
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Die_weiBe_BrUcke
Date 1875-1890 Medium oil on canvas Dimensions 77 x 51,5 cm TTD

John Henry Twachtman Landscape Branchville oil painting artist
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Landscape Branchville
1888 Type Oil on canvas Dimensions 152.4 cm x 203.2 cm cyf

     Painting ID::  95132
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Landscape_Branchville
1888 Type Oil on canvas Dimensions 152.4 cm x 203.2 cm cyf

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     John_Henry_Twachtman
    American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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