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UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475
Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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Five Famous Men (detail) r
c. 1450
Tempera on wood
Mus??e du Louvre, Paris
Painting ID:: 9407
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Five_Famous_Men_(detail)_r
c. 1450
Tempera on wood
Mus??e du Louvre, Paris
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Five Famous Men (detail) wt
c. 1450
Tempera on wood
Mus??e du Louvre, Paris
Painting ID:: 9408
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Five_Famous_Men_(detail)_wt
c. 1450
Tempera on wood
Mus??e du Louvre, Paris
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Equestrian Portrait of Sir John Hawkwood (mk08)
1436
Fresco,transferred to canvas
732x404cm
Florence,Duomo
Painting ID:: 21205
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Equestrian_Portrait_of_Sir_John_Hawkwood_(mk08)
1436
Fresco,transferred to canvas
732x404cm
Florence,Duomo
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St George and the Dragon (mk08)
c.1455
Tempera on canvas.
57x74cm
London,National Gallery
Painting ID:: 21206
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St_George_and_the_Dragon_(mk08)
c.1455
Tempera on canvas.
57x74cm
London,National Gallery
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Battle of San Romano (mk08)
c.1456
Tempera on wood
182x317cm
London,National Gallery
Painting ID:: 21207
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Battle_of_San_Romano_(mk08)
c.1456
Tempera on wood
182x317cm
London,National Gallery
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UCCELLO,_Paolo
Italian Early Renaissance Painter, 1397-1475
Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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