|
| | | Prev Artist Next Artist
|
|
Asher Brown Durand
1796-1886
Asher Brown Durand Galleries
His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School.
Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth."
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..."
Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
|
|
|
|
|
| Click Image to Enlarge |
Study of Trees and Rocks,kaaterskill Clove
mk218
New York
1850
Graphite on gray-green paper
35.2x25.3cm
Painting ID:: 51324
|
|
|
Study_of_Trees_and_Rocks,kaaterskill_Clove
mk218
New York
1850
Graphite on gray-green paper
35.2x25.3cm
|
|
|
|
| Click Image to Enlarge |
Study of fallen tree trunks,Bolton,Lake George
mk218
New York
1863
31.1x47cm
Painting ID:: 51325
|
|
|
Study_of_fallen_tree_trunks,Bolton,Lake_George
mk218
New York
1863
31.1x47cm
|
|
|
|
| Click Image to Enlarge |
Strawberrying
mk218
1854
Oil on canvas
34x51in
Painting ID:: 51326
|
|
|
Strawberrying
mk218
1854
Oil on canvas
34x51in
|
|
|
|
| Click Image to Enlarge |
Study from Nature Trees,Newburgh,
mk218
New York
1849
Oil on canvas
56.2x45.7cm
Painting ID:: 51328
|
|
|
Study_from_Nature_Trees,Newburgh,
mk218
New York
1849
Oil on canvas
56.2x45.7cm
|
|
|
|
| Click Image to Enlarge |
William Cullen Bryant
mk218
c.1854
Oil on canvas
76.5x63.8c,
Painting ID:: 51330
|
|
|
William_Cullen_Bryant
mk218
c.1854
Oil on canvas
76.5x63.8c,
|
|
|
| Prev Artist Next Artist
|
|
Asher_Brown_Durand
1796-1886
Asher Brown Durand Galleries
His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School.
Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth."
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..."
Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
|
|
