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Egon Schiele
1890-1918
Austrian
Egon Schiele Gallery
Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna.
In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students.
Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.
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Pregnant Woman and Death (mk12)
1911
Schwangere und Tod
Oil on canvas
100.3x100.1cm
Kallir
Painting ID:: 22054
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Pregnant_Woman_and_Death_(mk12)
1911
Schwangere und Tod
Oil on canvas
100.3x100.1cm
Kallir
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Agony (mk12)
1912
Agonie
Oil on canvas
70x80cm
Painting ID:: 22055
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Agony_(mk12)
1912
Agonie
Oil on canvas
70x80cm
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Bilnd Mother (mk12)
1914
Blinde Mutter
Oil on canvas
99.5x120.4cm
Painting ID:: 22056
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Bilnd_Mother_(mk12)
1914
Blinde Mutter
Oil on canvas
99.5x120.4cm
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Death and Maiden (mk12)
1915-16
Tod und Madchen
Oil on canvas
150x180cm
Painting ID:: 22058
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Death_and_Maiden_(mk12)
1915-16
Tod und Madchen
Oil on canvas
150x180cm
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Mother with Two Chilren III (mk12)
1917
Mutter mit zwei Kindern III
Oil on canvas
150x158.7cm
Painting ID:: 22059
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Mother_with_Two_Chilren_III_(mk12)
1917
Mutter mit zwei Kindern III
Oil on canvas
150x158.7cm
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Egon_Schiele
1890-1918
Austrian
Egon Schiele Gallery
Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna.
In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students.
Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.
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