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Nicolas Lancret
French
1690-1743
Nicolas Lancret (22 January 1690 ?C 14 September 1743), French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans.
His first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave d'Ulin for Gillot, whose pupil Watteau had been. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author.
Lancret's work cannot now, however, be taken for that of Watteau, for both in drawing and in painting his touch, although intelligent, is dry, hard and wanting in that quality which distinguished his great model; these characteristics are due possibly in part to the fact that he had been for some time in training under an engraver.
The number of his paintings (of which over eighty have been engraved) is immense; he executed a few portraits and attempted historical composition, but his favorite subjects were balls, fairs, village weddings, etc. The British Museum possesses an admirable series of studies by Lancret in red chalk, and the National Gallery, London, shows four paintings--the "Four Ages of Man" (engraved by Desplaces and l'Armessin), cited by d'Argenville amongst the principal works of Lancret. In 1719 he was received as Academician, and became councillor in 1735; in 1741 he married a grandchild of Boursault, author of Aesop at Court.
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The Four Ages of Man Maturity
mk218
1730-35
Oil on canvas
33x44.5cm
Painting ID:: 51362
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The_Four_Ages_of_Man__Maturity
mk218
1730-35
Oil on canvas
33x44.5cm
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Le jeu des quatre coins
"Le jeu des quatre-coins" by Nicolas Lancret
Painting ID:: 59521
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Le_jeu_des_quatre_coins
"Le jeu des quatre-coins" by Nicolas Lancret
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skridskon bindes
olja pa duk 138x106
se
Painting ID:: 69095
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skridskon_bindes
olja pa duk 138x106
se
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La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
ca. 1724
Painting ID:: 72092
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La_remise_de_l'Ordre_du_Saint-Esprit_dans_la_chapelle_de_Versailles
La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
ca. 1724
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La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
Date ca. 1724
cyf
Painting ID:: 73620
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La_remise_de_l'Ordre_du_Saint-Esprit_dans_la_chapelle_de_Versailles
La remise de l'Ordre du Saint-Esprit dans la chapelle de Versailles
Date ca. 1724
cyf
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Nicolas_Lancret
French
1690-1743
Nicolas Lancret (22 January 1690 ?C 14 September 1743), French painter, was born in Paris, and became a brilliant depicter of light comedy which reflected the tastes and manners of French society under the regent Orleans.
His first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave d'Ulin for Gillot, whose pupil Watteau had been. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author.
Lancret's work cannot now, however, be taken for that of Watteau, for both in drawing and in painting his touch, although intelligent, is dry, hard and wanting in that quality which distinguished his great model; these characteristics are due possibly in part to the fact that he had been for some time in training under an engraver.
The number of his paintings (of which over eighty have been engraved) is immense; he executed a few portraits and attempted historical composition, but his favorite subjects were balls, fairs, village weddings, etc. The British Museum possesses an admirable series of studies by Lancret in red chalk, and the National Gallery, London, shows four paintings--the "Four Ages of Man" (engraved by Desplaces and l'Armessin), cited by d'Argenville amongst the principal works of Lancret. In 1719 he was received as Academician, and became councillor in 1735; in 1741 he married a grandchild of Boursault, author of Aesop at Court.
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